New Delhi, September 26, 2025 – The inaugural Art Asia Delhi 2025 has opened at Yashobhoomi Convention Centre, marking the largest Korea-led international art fair ever held in India. Inaugurated by the Korean Ambassador Lee Seong-ho, the event draws together 51 galleries and more than 220 artists from Korea, India, the United States, Japan, and other countries. Over 760 artworks fill 61 booths, spread across nine curated sections.
Ambassador Lee called the event a “historic art fair,” stating, “This is the largest Korean-led art fair ever organized in India. It showcases not only the vibrant colors, creativity, and spirit of Korean and Asian contemporary art but also the depth of cultural bonds that enrich the Korea-India partnership. For art lovers, this is a rare chance to witness the creativity and diverse voices of Asia’s artistic landscape on one stage. This fair is not only about seeing art; it is also about celebrating the shared cultural journey and partnership between our nations.”
The fair features a mix of modern and traditional elements. The New Media Special Exhibition showcases AI-powered and interactive works, demonstrating how technology is shaping artistic expression. Visitors can engage with installations that respond to movement or input, blending digital innovation with cultural themes.
In contrast, the Masters’ Special Exhibition honors prominent artists from both countries. Indian representations include S.H. Raza’s abstract bindu motifs, Krishen Khanna’s figurative scenes, Ram Kumar’s landscapes, G.R. Santosh’s symbolic pieces, Bose Krishnamachari’s contemporary explorations, and Jagannath Panda’s identity-focused works.
Korean artists featured are the late Kim Tschang-Yeul, known for his “water drop” paintings that explore impermanence; Lee Bae, with his material-based abstractions; and Kim Hyung-Dae, whose light-layered pieces reinterpret tradition.A standout is Choi Jeong-Wook’s Moon Jar series, displayed in both the Moon Jar Special Exhibition and the Masters’ section. These porcelain vessels, inspired by Joseon-era ceramics, incorporate modern techniques like gold leaf and mother-of-pearl. Jeong-Wook’s work has gained international acclaim, including from collectors like Bill Gates, offering Indian audiences a fresh look at Korean craftsmanship.Other sections reinterpret traditional Korean materials – such as hanji paper, gold leaf, moon jars, and mother-of-pearl – in contemporary contexts, bridging heritage and innovation.
Dr. Sanjeev Kishor Goutam, Director General of the National Gallery of Modern Art, attended and spoke on art’s unifying role. “This exhibition is a testament to the enduring bond between Korea and India, two nations with a deep history of cultural exchange and mutual appreciation,” he said. “The artworks showcase the diversity and creativity of participating countries, from traditional forms to innovative contemporary pieces. This exhibition is not just a showcase of artistic talent; it is a symbol of our shared humanity and our commitment to creativity, innovation, and mutual respect.”
Open through September 28, Art Asia Delhi 2025 is expected it to foster new collaborations, with booths attracting collectors, curators, and the public.